Principal Investigator: Dr Daria Ricchi, Senior Lecturer
Rudolf von Laban (1879-1958) was a modern choreographer who developed a system to notate movement in the 1940s known as Labanotation (or Kinetography Laban). The Labanotation is a comprehensive vocabulary and analytical framework with which to identify patterns and changes of movement in space.
This project retraces the role of the body in movement in the perception of space in early modernism when movement practices where integrated in the curriculum of architectural studies. This research aims to understand why the body was crucial, why it has been degraded to a secondary role, and what practices could be still relevant nowadays.
The research is looking at the work of Rudolf Laban and the set of movement principles coded by his student Irmgard Bartenieff (1900-1981), a set of principles exploring kinesiological functioning that can be used to observe and analyse our bodies in motion, and which can be extended to all types of movement possibilities, including those with moving disabilities.
The role of the body in the perception of space was crucial in the early modernist period and has declined in later modernism. Nowadays, in many disciplines the role of the body has come to the fore again after a deep interest in the study of the brain (for instance in AI). This research follows the same trajectory in reintegrating the position of the moving body in the discourse of perception of space and in architectural studies.